Guns and Frocks

Loving Delta and the Bannermen since 1987

God mode

Monday, 1 January 2018

A close up of Angkor Wat's highest tower, covered in balconies and  intricate carvings, silhouetted against a bright blue sky.

I met Calvin in Siem Reap on 27 December.

It had taken me two days to get there from Athens. A flight from Athens to Dubai, which was delayed a couple of hours due to fog in Dubai; a night spent in the First Class Lounge in Dubai, since it was too late to get to my hotel; a flight from Dubai to Bangkok; a night in the Novotel at Bangkok Airport; and then a short flight from Bangkok to Siem Reap.

Calvin is clearly much better at this holiday thing than I am. He used points to arrange our first class flights, and he used points to book us into the Sofitel Angkor Phokeethra Golf and Spa Resort at Siem Reap. It’s a massive hotel, with a spa but no golf course, built in a sort of French colonial style. The staff say bonjour to you as you walk past, even quite late in the day.

A walkway across the water between the dining room and a pagoda. The trees are festooned with lights

I met Calvin at the hotel, dropped off my luggage and immediately went on an informal tour of the city. Calvin had arranged it the day before with a tuk tuk driver he met at a temple he was visiting. We spent a few hours careening around the city, had lunch, and took a boat ride up the river Tonlé Sap to a floating village on the edge of a massive freshwater lake. For dinner, Calvin had made a reservation at a famous restaurant called Haven, which is normally booked up months in advance.

For the next two days, Calvin had booked a tour of the temples around the city. We visited nearly half a dozen on the first day, beautiful ruined temples, surrounded and covered by forest, massive and complex, covered in sandstone carvings. On the second day, we spent the morning at Angkor Wat, arriving before 5 AM and watching the sun rise behind the temple, surrounded by hundreds and hundreds of other tourists.

For me, 2017 was the year of visiting temples — in Sicily, mainland Italy and Greece — and I saw a fair number of temples in Japan in 2016 as well. Angkor Wat is the most impressive temple I have ever seen. Not just the size and scale, but the intricacy of the carvings, on nearly every available surface.


We’re in Luang Prabang now. Calvin booked us a room in the Hôtel Sofitel Luang Prabang, a small resort hotel with only 24 rooms, which was the governor’s residence a hundred years ago, then government offices, and finally, a prison. The swimming pool was probably installed after that.

The front of a hotel. Wide stairs lead up to a pillared verandah. Each pillar is festooned with a coloured lamp. Above the awning, the walls are made of dark wood.

Luang Prabang is much smaller than Siem Reap — 55,000 people. It’s touristy as well, but more in a hippy backpacker sort of way. That’s slightly irritating, in so far as the streets are full of dreadlocked and tattooed young people wearing silk drawstring pants decorated with elephants. But it’s quiet and relaxing. The food is good, both in the restaurants and at the side of the road. And there are fun things to do, but not so many fun things that we’ll be running around non-stop until we leave on Friday.

Calvin organised a tour on our first day: a boat trip to visit a cave containing a thousand Buddha images, and a bus trip to a bear sanctuary and a waterfall. Today, New Year’s Day, we visited as many temples as we could possibly find, and went to the night market to watch young people buying silk drawstring pants. Tomorrow, we’ll be meeting some elephants. Calvin organised it.

καλά Χριστούγεννα

Sunday, 24 December 2017

A view of the Acropolis in Athens from some distance away. The hill is surrounded by trees and the Parthenon is visible on top.

Most of my last post was written on the ferry to Patras. I had decided to spend two nights there, not because there’s anything particularly cool about it, but because it the first place where I could see The Last Jedi in English. (English films are usually dubbed in Italy.) I saw the film a few hours after I arrived; I saw it again the following night.

I struggled to find anything much to do in Patras. I had some laundry and shopping to do, and I had to organise a bus ticket to Delphi. A Google search of things to do in Patras wasn’t particularly promising, but it did mention a Byzantine castle on a cliff overlooking the city, not far from my hotel. I climbed up the cliff, but the castle was closed on Mondays.

The bus to Delphi left at lunchtime on Tuesday. To kill time in the morning, I tried the castle again. It was worth it. Even a nondescript Greek town can be incredibly beautiful.


I had already been to Delphi once, on the School Classics Tour in June. We just stayed there one night. It was fantastic though — a warm evening, lots of bars and restaurants open, a friendly little town.

I didn’t really take advantage of it though. We let the boys go out for a few hours of free time, while I waited for them in the hotel bar, editing an episode of Flight Through Entirety.

This time, I stayed there for two nights. I had booked a single room in the hotel at an absurdly cheap rate, but the manager upgraded me to a double room out of sheer kindness and generosity — a room with a view over the valley, towards the sea.

Looking out over a valley at wooded mountains and olive groves, and an inlet in the distance reflecting the light of sunset. Blue and yellow clouds on the horizon.

It was freezing cold, of course, and lots of the bars and restaurants were closed. But I was able to spend more time at the archaeological site, which was much less hot and crowded than it had been in June. And it was lovely to be somewhere small and quiet. I really enjoyed myself.

The morning I left, it snowed. Not in Delphi itself, where it was just raining, but on the mountains on either side. I watched the snowflakes falling from the balcony of my room.

The bus from Delphi to Athens goes further up into the mountains, through a town called Aráchova. Everything there was completely covered in snow. I’ve only seen snow maybe twice before, so just days before Christmas, this was magical. (I only have very crappy photos of this from the window of the bus, with a woman’s head in the frame, so I’ll leave this to your imagination.)


I arrived in Athens in the afternoon. Calvin had booked me in at the InterContinental, a much classier hotel than the ones I’ve been staying in for the last few weeks. You can see the Acropolis from here, and the Philopappos monument, which is on top of a hill directly opposite. It was too late to actually do anything: all the archaeological sites close at 3 or 4 PM in winter, but I walked straight to the Acropolis as soon as I had checked in. Just to gaze up at it.

For €30, you can buy a ticket to the Acropolis, which includes entry to the Theatre of Dionysus, the Ancient Agora, the Olympeion, the Roman Agora, the the Library of Hadrian, the Kerameikos, and one or two more sites. When I was here on the tour in June, the only one of these I visited was the Acropolis, so I’ve spent the last couple of days visiting as many of the rest of them as possible. I also made a return visit to the Acropolis Museum.

Yesterday afternoon I went for a walk before dinner, and found myself at the park containing the Philopappos monument. I don’t know what it’s called, to be honest, but there are lots of cool things there, including the Pnyx, where the Athenian Assembly used to meet, and the Prison of Socrates, which we’re just going to say is the site of Socrates’ suicide, and therefore the setting for Plato’s Phaedo. That’s where I took that photo of the Acropolis, just before sunset.

Now it’s Christmas Eve, my last full day in Europe. (I arrived in London on 2 November, so it’s been just less than two months.) Tomorrow I’m flying to Bangkok, where I’m staying just one night. Calvin is there now, but he will have left by the time I arrive. I’ll catch up with him in Siem Reap, and we’ll be heading off together for a tour of Angkor Wat. I’ll let you know how we get on.

Merry Christmas.

Writing: I posted a thing about Star Wars: Episode VIII, which I think was a brilliant film. Don’t read the post if you haven’t already seen it. It’s lousy with spoilers.

Burning Star Wars to the ground

Tuesday, 19 December 2017

Rose Tico is in a stone-walled stable looking at a  row of caged stalls. A big horse-like animal (a fathier) looks over the wall of each stall at here.

“I didn’t actually come here to free slaves.”

Qui-Gon Jinn, The Phantom Menace (1999)

Perhaps the most baffling complaint about The Last Jedi is this: the Finn and Rose subplot is poorly integrated, and could easily be cut without damaging the film. I’ve seen this complaint over and over again, even in reviews that are broadly insightful and positive about the movie. And I think it’s completely wrong. The Finn and Rose subplot is thematically central to the film.

Let’s recap. Finn and Rose need to visit a town on the Space French Riviera called Canto Bight, in order to make contact with someone who will help them break the security codes preventing them from boarding Snoke’s ship undetected.

So they leave the fleeing Resistance fleet in a shuttle and land in Canto Bight. Rose warns Finn that the people there are the worst people in the universe. It’s a wretched hive of scum and villainy, apparently.

We cut immediately to a shot of a popping champagne cork. Canto Bight is a gloriously golden deco set full of fat aliens in lovely suits drinking expensive drinks and carelessly throwing gold coins onto roulette tables. Finn is hugely impressed: these are the richest people in the galaxy. This is like nothing we’ve ever seen in Star Wars before.

Then there’s a shot of lots of lovely champagne glasses shaken, Jurassic Park style, by thunderous footsteps outside. We rush to a balcony, much like the balcony on that planet in the Hosnian system from which the Republican government witnessed its own destruction. A race is starting up, a race in which giant horse-like creatures — fathiers — are running around a track; presumably the rich fat aliens are betting extravagantly on the outcome.

While the race is going on, Rose tells Finn why she hates Canto Bight. The people of Canto Bight are rich from the profit they have earned dealing arms to the First Order. Her own planet was mined to create these arms, and then destroyed in order to test them. She doesn’t blame the First Order for this: she blames the fat aliens, the one percent, the richest people in the galaxy.

Throughout Rose’s speech, Finn is using a telescope to watch the fathiers racing. While she describes the oppression of her planet, Finn is watching the fathiers being savagely whipped by their riders: when we seem them later, they will have visible marks from this mistreatment. Then Finn moves the telescope to see one of the trainers attacking a small child, a stable boy. The fathiers and the boy become a symbol for the oppression caused by the people of Canto Bight, including the oppression of Rose’s home planet.

Finn and Rose return to the casino and spot the codebreaker, who seems to be a beautifully-groomed rich arsehole too concerned with his gambling to help them anyway. But before they can reach him, they are arrested by the police, whose job, of course, is to protect the interests of the rich fat aliens, and ensure that their conspicuous consumption should continue unmolested. We’ve never seen the police in Star Wars before: they will be our antagonists until the end of this sequence. The police tase them immediately and take them to prison.

After he rescues Finn and Rose, Benicio Del Toro will tell Finn and Rose that the fat aliens are rich not just because they sell arms to the First Order, but because they also sell arms — X-wings! — to the Resistance. “They blow you up, you blow them up,” he says. It’s not just the First Order oppressing Rose’s home planet. It’s the continual war between the Separatists and the Republic, the Empire and the Rebellion, the First Order and the Resistance. The peoples of the galaxy have been oppressed for decades by Star Wars.


No one in the Star Wars films cares about the miserable inhabitants of Rose’s home planet. (It’s called Hays Minor, as if anyone cared.) The good guys in Star Wars don’t liberate the oppressed. They blow up space stations and smash up Star Destroyers. Or they levitate rocks and ransack their desk calendars for wise sayings about detachment and balance. Even in this film, while Admiral Holdo is bravely sacrificing herself to save people’s lives, Rey is fighting Kylo Ren for possession of Luke Skywalker’s fucking lightsaber.

And that’s why no one on the Outer Rim answers Leia’s distress call from Crait, the planet salty from the tears of a million fanboys. No one on the Outer Rim gives a shit about the Resistance. Because the Resistance does nothing to relieve their oppression: instead, it actively contributes to it, only ever solving things by getting in an (expensive) X-wing and blowing something (expensive) up.


The film has two endings. The first one is the traditional tableau of our rebellious heroes, like the ones at the end of Episodes IV and VI, where the Rebellion celebrates victories that will not end up making life any better for the oppressed inhabitants of Hays Minor.

The second one is unlike anything we’ve seen in Star Wars before. Or is it? Somewhere on the Space French Riviera, the stable boy is telling the story of Luke Skywalker, a story he can’t possibly know. Like Rey, like us, he has an action figure to help him act the story out. Finn and Rose have given him a spark of hope: they released the oppressed fathiers, let them smash up the rich fat aliens’ casinos and cocktail bars, took off their saddles, and left them to run free in moonlight and long grass. Rose was smiling as she did it.

Because the Force doesn’t belong to the Jedi any more, the stable boy uses it to pick up his broom and starts sweeping. He pauses for a moment and, like farmboy Luke, he looks up into the sky. And John Williams kicks into gear.


Rian Johnson has burned Star Wars to the ground. Now we know who the real enemy is. And we know what the Resistance should really be doing. Let’s hope JJ manages to stick the landing in Episode IX.

Bari — Episode II

Saturday, 16 December 2017

It's dark. We're looking across an expanse of concrete at a large illuminated ferry in the distance.

If you asked me right now to name my favourite Star Wars film, my answer, without hesitation would be Episode VII: The Force Awakens. It’s the funniest of the Star Wars films, it has likeable, charismatic, well-drawn characters, and it carries on the overwrought intergenerational Skywalker saga in a satisfying way.

Plenty of people dismissed it as a remake of the original Star Wars film. Which it was, of course. But we hadn’t had a remake of the original Star Wars since 1999, and we hadn’t had a good remake since 1983. So 2015 needed a new remake of Star Wars to relaunch a the new series of films and to remind us that Star Wars isn’t just about bored actors sitting listlessly on couches talking about trade embargoes.

More than that, though. After nearly forty years of Star Wars films and spinoffs, The Force Awakens understands what it’s doing in a way that the original Star Wars really doesn’t.


I’m in Bari right now, on a ferry romantically named the SuperFast II. I’m about to head over to Patras in Greece. It’s the second time I’ve done this.

The first time was in 2008, my last long service leave. That time, Bari was not fun. My train arrived late, I had just over an hour to get to the ferry, I didn’t know where the ferry left from, I had a crummy paper map, and I got completely lost in the narrow and slippery lanes of the old city. And it was probably raining. I remember being getting incredibly angry and flustered, which was a thing that happened a lot on that particular trip.

This time, I booked a hotel for a night. So, when the train arrived late, I just needed to walk a few blocks drop off my luggage and then go out for dinner. Totally relaxed. After dinner, I wandered down to the water and around the old city. On the way back, I found a nice bar and had a glass of a noxious liqueur called pugliese. It was nice.

I didn’t need to check in for the ferry until 5:30 in the afternoon. I couldn’t find anything pressing to do, so I explored the streets of Bari, got a beard trim, had lunch in the old city, found the seaside and wandered around there for a while. I ended up finding somewhere to sit and read for a couple of hours.


I’ve said this before here: at the start of this trip, I had only a few concrete plans. I had a hotel booked for the first couple of days in London, a flight booked to Amsterdam, another hotel booked for my last couple of nights in Athens, and then a flight from Athens to Bangkok at Christmas. (Thanks, Calvin.) I also wanted to stay in Sorrento for a while. But everything else was open. I could go anywhere or do anything.

And yet, this trip has pretty much been a remake of my last long service leave. Last time I explored the south of France a bit more and only stayed in Italy for just over a week. But otherwise, the itinerary has been the same.

It would be easy to be disappointed with myself. I’ve still never been to Spain or Portugal. I didn’t go to Budapest or Trogir. Most of my time has been spent in places I’ve seen before.

But I just don’t care. I explored lots of new places in Sicily and Greece on the Classics Trip in June. I’m meeting Calvin after Christmas: we’ll be visiting Cambodia and Laos, adding two more countries to the growing list of places I’ve visited in South-East Asia.

And this trip has been so easy and pleasant. Most of my train trips have been about two hours long; none of them have been longer than four hours. I’ve enjoyed seeing familiar places, and finding out new things about them, and having new things to do. Venice, Naples, Sirmione and Antibes were all great. And I’m more relaxed and well-rested than I have ever been, I think.


I’ll be staying in Patras for two nights. I don’t know anything about Patras, except that there’s a cinema there called the Odeon, where Star Wars — Episode VIII is screening in English. I plan to watch it at least twice. I’ll let you know after that whether it’s my new favourite.

Sorrento things

Wednesday, 13 December 2017

An overcast day at the waterfront at Sorrento. In the foreground are some dinghies pulled up on shore. Behind them is a jetty with boats tied to it. And in the distance is Mount Vesuvius.

It’s raining like crazy today, so I’m postponing my visit to Pompeii until tomorrow, which is my last full day in Sorrento.

I arrived here on 3 December. There have been plenty of day trips since then, but also a lot of relaxing and doing nothing. So, this post will be mercifully free of narrative. Instead, some Sorrento things.

Io non posso entrare

There are dogs everywhere here. They’re allowed, or at least tolerated, in bars and restaurants. One woman was walking a dog in the ruins of Herculaneum; someone brought their dog into the Archaeological Museum in Naples.

And there are dogs freely wandering the streets. Last night I was sitting outside at a bar, when a dog wandered past and cocked his leg on a nearby fruit stall. The owner gently kicked the dog, who growled at him and ran off.

There’s one grubby snaggletoothed dog who wanders around Tasso Square. He seems fairly confident in traffic, but every time I see him, I’m terribly anxious about him getting run over. I’m sure he’ll be fine.

Christmas

It seems like middle-aged complaints about the length of the Christmas season start earlier every year. It’s been Christmas for my entire trip, all the way back in London in November. But it’s been crazy in Sorrento. Take a look:

This is all very sweet. The only annoying thing is the nightclub next to my apartment that plays Feliz Navidad loudly just once every night sometime late in the evening. Oh, and the horrific Christmas music that was playing throughout the main shopping area on Capri.

Uno spritz, per favore

It seems to me that Aperol only has only been a thing in Australia over the past year. Here it’s everywhere. Even the Beginner’s Italian course I’m doing on Babbel tells me that I have to have at least one spritz before dinner. And so I do.

Speaking Italian

My Italian is hundreds of years out of date, of course, and I’ve never actually formally attempted to learn it before. Now, for the first time, I’ve tried to give it a go.

The only thing is that my Italian is audibly terrible, and so everyone I try it on responds in English immediately. But still I persist.

More than once, though, I’ve received a verbal pat on the head for asking for the bill in Italian. Which is fine: I’ll take literally any reinforcement I can get.

Food and agoraphobia

I’ve never told anyone this before, but I actually get slightly anxious going into a shop or a bar or a restaurant I’ve never been to before. I often have to wander around for ages before finding somewhere where I’m prepared to go in and eat. (It’s even a thing at home, but then I have Calvin with me; given the choice, I’ll always go to somewhere familiar.)

It’s ridiculous, obviously. I’ve found lots of places to eat here; even the least expensive places have fantastic hearty food. The one time I screwed up the courage to go to a classy-looking restaurant and order from the specials menu, I ended up with a massive plate of gnocchi with gorgonzola and walnuts, which was like eating a giant tub of rancid wallpaper paste. I won’t be doing that again.

Naples

Naples is kind of horrible, isn’t it? I only spent one day there, last Saturday. It’s glamorous, but filthy and rundown and vaguely threatening. I wanted to visit the Archaeological Museum, which was okay — full of things looted from Pompeii and Herculaneum.

The highlight was the Secret Room, to which children under 14 are admitted at their own risk. It’s full of Roman erotica — frescoes of scenes from mythology, phalluses, tiny bronze dicks, and ridiculously obscene sculptures. Here’s the highlight:

A statue of a satyr on top of a goat. His penis is visible: he is penetrating the goat, who seems fine with it
This is exactly the kind of thing Cory Bernardi warned us about

Leaving Friday

I’m catching the train to Bari on Friday, staying there one night, and then catching the overnight ferry to Patras. Two nights in Patras, not because there’s lots of fun things to do there, but to give me the opportunity to repeatedly watch Star Wars VIII.

I’m going to go offline some time tomorrow, to avoid spoilers. I’ll be back once I’ve seen the film a couple of times.

Until then, here’s an inexpertly cobbled together photo gallery of Sorrento and the towns nearby. I’m off to have lunch somewhere I’ve been to before.

Reading: La Belle Sauvage, by Philip Pullman. Set 10 years before Northern Lights. It’s beautifully written, wonderfully anti-clerical, and about a third of the way through, it’s starting to get very tense.